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Pin-Up Girls Vol. 4

  • Release date:
    June 11, 2010
  • Runtime:
    2h 33m
  • Cast:
    Rayveness|Avy Scott|Angel Dark|Sara Stone|Georgia Jones|Dia Zerva|Ashlyn Rae|Prinzzess
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Genre: Lesbian

Director: ?

Cast: Prinzzess, RayVeness, Avy Scott, Ashlyn Rae, Sara Stone, Angel Dark, Georgia Jones, Dia Zerva

Length: 155 minutes

Date of Production: ?

Extras: Despite not having a Behind the Scenes segment, the trailers and promos give the viewer a very good sample of its titles in its stable. The eight promos are 2008 Girlfriends Films, AVN trailer, AVN 2010 Girls Promo, AVN 2010 Series Promo 2, Gay Pride 09, Imperfect Angels, Women Seeking Women, and Road Queen. The eight trailers are House Hunters 1, Mother-Daughter Exchange Club 12, Road Queen 16, Field of Schemes 8, Girlsztown 1, Lesbian Legal 7, Net Skirts 1, and Twisted Passions 6. A nice looking photo gallery and footage from Pin-Up Girls 3 are also included. Of course, website information is added.

Condoms: None

Audio/Video Quality: The video and audio quality are very good.

Overview: Pin-Up Girls Volume 4 is the fourth installment to the most innovative production that Girlfriends Films has ever produced. Everything is genuine, authentic, and natural. In less than six months, Pin-Up Girls has become this studio's most popular product. With the marvelous Rayveness as the lead character and an always intriguing Ashlyn Rae, this series along with a solid supporting cast and the authentic 1950's attire has encaptured the essence of that time period and the sexual nature of the pin-up model. Moreover, the natural bodies of the women also give Pin-Up Girls an aura of respectability that other adult productions lack because of the dread of potential lower sales. Girlfriends Films stuck to it's guns and thus, are reaping the rewards.

Scene One: Once in Sara Stone's bedroom, Ashlyn Rae wants the woman to put on the undergarments while the young brunette lady fondles her nicely. Miss Rae's seductive behavior feels tender although there is not much sexual chemistry between them. Nevertheless, Ashlyn's actions still create a sexy atmosphere. Her oral pleasuring demeanor is cute and quite determined. Later in the scene, a sense of passion between them occurs, but it still lacks the deep emotional bond that many of this studio's performances are known for. Nonetheless, both ladies give incredible efforts in getting their partner off by working over their womanhoods with a lot of enthusiasm.

Scene Two: During Anita Dark's photoshoot, Rayveness does a good job in setting and emphasizing the woman's sexiness as well as the sensual atmosphere around them. The anticipation of their soon-to-be sexual activity is high and when they suddenly kiss for the first time, I let out a soft breath of air as my body heat rose. Anita's titty sucking is sensuous. The chemistry between them is electrifying as their performance persists on. The liplock action feels sweet and their concentrated kitty workouts are exciting. It's safe to say that their vaginal playthings receive solid care. The lingering image of this scene is seeing them kiss tenderly and sincerely as Rayveness plays with the woman's hair. However, both ladies do a phenomenal job in showcasing their sensual side of their lovemaking abilities. Rayveness and Anita Dark are a match made in porn heaven.

Scene Three: Some hanky panky begins when Georgia Jones and Ashlyn Rae spank Avy Scott on the bed with a paddle. Moments later, Georgia sucks the pin-up model's titties while Ashlyn continues to use the wooden item. Suddenly, Miss Rae rubs Avy's beauty spot as the two ladies kiss. The mood of the scene lacks chemistry among the threesome despite some nice looking sexual activity. Georgia's muffin eating action raises the heat level. Meanwhile, Ashlyn Rae looks very sexy while she looks on. Soon, Avy applies a nice looking oral massage on Georgia's passion fruit in return. Her very passionate delivery is hot. Nevetheless, the overall scene is not outstanding as a Girlfriends Films' performance should be especially with stars like Ashlyn and Avy featured. The energy level rises again when it's Ashlyn's turn to get stimulated by the two women.

Scene Four: Right before taking some photos of Prinzzess, Dia Zerva comes onto the pin-up model suddenly. Once the kissing activity becomes more genuine, the personal chemistry between the ladies grows. The sexiness of the scene heightens. Their beautiful bodies are turn-ons especially their sexy legs. Moreover, their body language enhances the sensuousness of their performance. It's evident that Prinzzess and Dia feel fondly towards each other. Nothing is forced or fake. While watching them, I got mesmerized by their beauty and persistent steaminess. Dia's muffin eating actions are intense and emotional whereas the blond pin-up's behavior is more sensual and considerate. After their passionate humping session, their personal chemsitry solidifies more deeply as Prinzzess rubs and finger fucks Dia's love spot. Afterwards, Dia reciprocates the personal gesture on the woman as they continue to stare into each other's eyes. This two-some is a fantastic collaboration to end this movie on.

Final Thoughts: Even with the very sensual performance by Rayveness and Anita Dark and the sizzle between Prinzzess and Dia Zerva, Pin-Up Girls 4 is still a disappointment when compared to it's previous three installments. Although Ashlyn Rae can take the viewer's breath away by her attractiveness, her two scenes did not have solid connectiveness with the women involved. Also, by not having her and Rayveness on screen together, this film most likely will have the fans of this series feel unsatisfied. It's the sexual tension between these two dark-haired darlings that has become the single-most exciting and addictive storyline of this new turn-back-the-time production. Of course, it is too soon to put them in any sexual situation together if at all, but there still must be some interaction between them to continue to engage the audience. Nevertheless, Pin-Up Girls 4 still gets a recommended rating on account of the two marvelous sensual and personal performances and the continued genuineness of the '50's setting.


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