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Queen Of Gapes

Evil Angel/Omar Galanti Productions

Genre: Anal, Circus Act Sex

Director: Omar Galanti

Cast: Isabella Clark, Omar Galanti, Nataly Gold, Logan, Julia Bond (not the former USA performer)

Length: 198:56 minutes

Isabella Clark and Omar

Date of Production: 2011

Extras: There were photogalleries, cumshot recap, trailers, filmographies, and websites.

Condoms: None

Nataly Gold with Omar

Audio/Video Quality: Queen Of Gapes was presented in a fairly clear 1.78:1 anamorphic widescreen color as shot by director Omar Galanti for Evil Angel. Like many of his peers at the company, the technical acumen used by the cameramen and other technical staff was not exactly what you would call awesome but it was good enough to display the plethora of circus act sex tricks used to make the ladies gape extensively (and for prolonged amounts of time). The minor edge enhancement, color variations, and compression artifacts were not overly distracting and the video bitrate was pretty solid for the portions I checked, the end result being it was not tough on the eyes in terms of how it was shot. The audio was presented in 2.0 Dolby Digital with the usual 48 kHz sampling rate and 192 Kbps bitrate, the vocals not extensive though as easy to understand in terms of pushing limits of the language (and sensibilities of the cast) as expected.

Logan, Isabella Clark, and Omar

Body of Review: Omar Galanti is the latest performer-turned-director at Evil Angel, his brand of pushing the limits of his female cast in line with that of Rocco Siffredi, Christoph Clark, and maybe even Mike Adriano (less Mike’s much more playful attitude that shows he cares for the ladies). I admit that even going into watching Queen Of Gapes with an open mind, I was hesitant given some of the things I heard about his previous displays of circus act sex. My primary motivation was to see listed cast member “Julia Bond” again in action, figuring maybe it was an older scene of hers locked away in a vault or one I just hadn’t seen, the sad truth being that the women using the name was NOT the popular American performer, just a name-stealing poser. With that, I went into the four lengthy scenes somewhat disgruntled, the usual staffers at the company I’m familiar with never allowing some foreigner to do this in one of their productions previously. The company website described the show like this: “Italian sex freak Omar Galanti cranks open four of Russia's gaping-est young ladies in the outrageous Queen of Gapes. Using the irrepressible director's enormous cock and various butt-wrecking toys - sometimes several in her cavernous backdoor at once - fantastically slutty brunette Isabella Clark expands her rectum to frightening dimensions! Fans of elastic sphincters will be crowning this young lady Queen for her striking, massive bunghole-gaping ability. Next, classy bitch Nataly Gold smokes a cigarette in lingerie while diddling her bunghole with a glass dildo. The tall, slender girl services Omar's demanding prick with her stretchable asshole and takes a gooey facial at the end. In a casting session with Omar and Isabella, lovely blonde Logan plays with a giant strap-on dildo and gives Omar the opportunity to pump two asses at once. These girls cooperate fully with the perverse director's craziest demands. Finally, brunette Julia Bond gives Omar a bare foot job before straddling him and cowgirl-riding her butthole up and down on his fat prick. With plenty of tunnel-gaping close-ups, tasty rim job action and nasty ass-to-mouth play, Queen of Gapes is strictly for connoisseurs of the anally extreme!” Here’s a brief look at the scenes by cast and action, noting that no condoms were used for those still interested:

The Russian "Julia Bond"

Scene One: Isabella Clark, the brunette featured on the front cover (with the enormous anal gape), was up first after traveling Omar Galanti, hooked up with her during his travels. She was in the small flat and becoming acquainted with his wealth of large toys, her ass readily accepting whatever she shoved inside her ass. This continued until Omar ate her ass, Isabella sitting on his face for him to savor every whiff of ass he could get. At this point, he began smacking her fleshy ass rather hard, almost immediately leaving it red and tender. Omar then started jamming in multiple toys, her resilient ass taking everything he tossed her way until his pecker practically slid inside with ease. He started beating her ass again before drilling it hard with his cock, the gal staring at the camera blankly as he would go between his cock and various toys to expand her ass. She did a bunch of ass to mouth (ATM) too, choking on his hog a few times and tossing his salad before he tossed out a wad of splooge onto her face (and she sucked him clean).

Scene Two: Nataly Gold, a lean brunette wearing an eclectic sort of black outfit, was up next as she masturbated with a glass dildo. Omar Galanti immediately assisted her and started his usual antics of going down on her, Nataly allowing him to throat fuck her in several positions before they started banging. The emphasis was again on anal and she looked more like she was putting up with it for pay than enjoying any portion of it, the two moving around the apartment screwing until he unleashed his load of genetic juice on her face. There appeared to be a sense of relief when this took place, the scene at least not using so much of the toy crud as the far longer initial scene did.

Scene Three: Logan, Isabella Clark, and Omar Galanti were up next as Isabella deployed a massive dildo on her well lubricated ass. Logan was a light haired Russian that cleaned up well, the contrast between her all black apparel and Isabella’s all red mesh lingerie amounting to a nice contrast. The ladies worked with each other and some toys at first, Logan giving Isabella a run for her money though backing off joining in on the receiving end of anal penetration. Soon after that, Logan had each of her partners going down on her (Omar eating her ass while Isabella ate her pussy) which led to her being fitted with a strap on dildo to pound away at Isabella’s largely gaping hole. From there, the scene turned a bit more conventional as Omar tore into their mouths and asses in succession, slapping the ladies asses and dominating them until Logan took the brunt of the facial, the gob of population pudding shared with Isabella orally.

Scene Four: Julia Bond, a lean Russian chick with a butter face (not the heavily tattooed American hotty), was up last with Omar Galanti, meeting him in a public place with her male friend in tow (who suggested her ass was not for sale). Julia then changed into a neon green mesh outfit and Omar began his usual stunts, her tiny ass getting orally worked on by the director and the gal reciprocating as well as rubbing his pecker with her feet. He fingered her while eating some more snatch, juicing her up until the toys led to some active anal riding. The mechanical plowing showed she might actually appreciate the vaginal sex, the following anal tricks not leaving as favorable an impression as the scene progressed. She slobbed his knob and clamped up when the facial of spunk came her way, the post coital sucking at least showing her smile as she finished draining his balls.

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Summary: Queen Of Gapes by director Omar Galanti for Evil Angel did not have American performer Julia Bond in it and was pretty much stuck in the mindset of pushing the limits of the ladies beyond any reasonable amount to achieve anal gapes, the result probably better for those wanting something rougher than you will find from directors Jay Sin or Mike Adriano but not quite as extreme as you will find from directors like Rocco Siffredi, Belladonna, or Jake Malone. Omar is no Manuel Ferrara, adds nothing special to the mix with the tricks he showcases, and the mechanical attitudes of foreign women doing whatever is asked of them as shown in Queen Of Gapes just left me cold. If you appreciate the skills of the ladies involved, by all means check this one out but it just did not work past a rating of Rent It for my sensibilities, the identity issue involving what was once a high profile performer leaving an admittedly sour taste in my mind.