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Icons V3

  • Release date:
    December 18, 2019
  • Runtime:
    2h 49m
  • Cast:
    Riley Reid|Mick Blue|Natalia Starr|Anya Olsen|Liya Silver|Markus Dupree|Teanna Trump|Johnny Sins|Christian Clay
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Genre: All-sex

Release Date: December 18 2019

Director: Laurent Sky and Julia Grandi

Cast: Riley Reid, Teanna Trump, Natalia Starr, Anya Olsen, Liya Silver, Mick Blue, Johnny Sins, Markus Dupree, and Christian Clay

Length: 2 Hours 49 Minutes

Extras: Cumshot Recap

Overview:

The Vixen Icons series continues to highlight top-tier performers and trending talent. “Icons Vol. 3” features a curated collection of all-sex scenes with the likes of Riley Reid, Natalia Starr and many more.

This collection features one raunchy threesome and three more romantic boy-girl romps, including two creampies. DVD special features are light, and the scenes are unrelated in plot.

Scene 1: Riley Reid, Teanna Trump, and Mick Blue

Riley Reid and Teanna Trump are, in Riley’s words, “bad bitches.” Their daily life is shown in a musical montage befitting a late ‘90s hip-hop video. I’m talking about hard partying and excess. They sneak into Mick Blue’s fabulous home while he’s away, however his anger at the unwelcome intrusion is quickly assuaged when Trump force feeds her pussy to him.

It’s an interesting choice for the opening act. Sure the “Icons” series doesn’t revolve around any specific plot or theme, other than the inclusion of porn superstars, but it does diverge from the glam art-porn vibe that Vixen typically presents.

All the high end cinematography is there, and set design is impeccably clean and appealing as usual. But the sex is a little raunchier than your typical Vixen fare. It’s wet and sloppy with lots of lube lathered over all three bodies.

Riley and Teanna have a penchant for rough and wild performances, and they play off each other well. It’s not so much love or lust, but more of a sport. They are almost competing to see who can choke down Blue’s dick the deepest, or who can fuck him the fastest.

With their intensity in mind, you have to hand it to Blue, a seasoned performer who manages to stay in the game for the full duration of the scene. Imagine plugging your cock into the most intense sex machine ever invented, cranking it to full power, and lasting a good forty minutes. It’s like he’s going through some bizarre pleasure-based torture and it’s awesome. Bum fans even have some rimming to look forward to.

Impeccably filmed, the only issue I might take is acoustic. The opening story features rich audio through voiceover and music, but the pre-sex dialog is all over the place. It feels like it’s been recorded with a shotgun mic, which sounds fantastic when the subject is directly in front of it, but fades rapidly when the angle is off. It’s a small gripe though, and rest assured, the moans and sex sounds are captured in their full symphonic splendor.

Riley’s orgasm towards the end is particularly impressive. She cums hard and it’s amazing to see her body transform while Blue pounds away. She is just glowing with delight, skin shimmering with a glaze of sweat, and all the pink bits are fully aroused and standing at attention. She even squirts before the double-facial.

Scene 2: Natalia Starr and Johnny Sins

Seeking commitment, Natalia Starr proves her worth to Johnny Sins with long walks on the beach, public blowjobs, and a creampie delight.

Producer Jake King and director Laurent Sky teamed up for a solid all-sex short. The scene will feel familiar to fans of Vixen’s current style. Sky takes inspiration from Julia Grandi’s exotic locations with an emphasis on natural light and outdoor sex. Instead of the Greece, we’re treated to a rocky LA beach.

It’s a treat to see Starr and Sins together again. While they’ve only shared the screen six times together, it always makes for a good show. And no wonder, in 2014 Starr claimed Sins as her favorite male performer, telling Fleshbot that “he is very sexy and a great performer.”

Starr is no slouch herself, achieving no less than ten AVN nominations in her eight year career, including numerous accolades for Digital Playground’s “Nevermore” last year. An icon indeed.

This scene is broken into two acts. You’ve got a six minute beach blowjob sequence. It is real on-the-spot spontaneous sexuality, and the lighting will have you dreaming about Starr’s fine derriere for days.

Then there’s the home sequence, with Starr cooking and serving Sins breakfast in bed. Of course, they’re both hungry for a very different kind of treat. I wonder how much food goes to waste during these breakfast in bed scenes.

Starr’s opening blowjobs are way more fluid and erotic in the comfort of those clean linens. I also admire how Starr remains clothed in both blowjob sequences. Sky offers a tease of cleavage, but doesn’t oversexualize the breasts just yet. It also serves to build anticipation and excitement in a tantalizing and measured way.

Sins’ deep cunnilingus stands out. He goes in with such ferocity, working her folds with a firm tonguing along with intense nibbling. Natalia’s reaction is priceless. He even revisits her pussy with a pulling and sucking technique later, resting his cock after a particularly enthusiastic doggy-style.

I appreciate the variety in pace. There’s intense rabbit-like fucking, but they also slow down with tender thrusts and loving eye contact. And then there’s that creampie at the end.

Scene 3: Anya Olsen and Markus Dupree

Markus Dupree’s depiction of day-trading is comedy gold. He watches the steady rise of $VMGM, a post-IPO stand-in for Vixen Media Group like as though it were a roulette whee. He’s grinding his teeth, jumping, celebrating, and seemingly breaking the number one rule of investing: don’t trade on emotions.

But it is that passion that attracts scene partner Anya Olsen. In the opening voiceover, she notes that on a good day in the market, anything goes. She pays a visit to his high-rise office after a particularly successful day for  jaw-dropping sex.

First, let's talk about location. Producer Jake King and director Laurent Sky play up the business man image with a sleek upper-level suite overlooking the LA financial district. It is a little odd that Dupree has a bed in his office. Maybe he’s an at-home day trader.

The first sex-acts feel particularly risque’ out on the balcony in full view of all the neighboring buildings. It’s wild seeing Anya leaning over the glass railing as she gets nailed by Dupree’s eager cock.

Olsen’s sex is surprisingly dominant when you consider Dupree’s notably rougher style. There’s none of that head-smashing footwork or aggression. Instead, here’s this impossibly cute and adorable girl jamming his head into her pussy, and fucking him like a disposable sex toy. It’s very exciting to see established performers expand their range like this.

Sky makes use of bright lighting and low angles to highlight two-time Spank Bank “Most Luscious Labia” award winner’s natural features. Wide-shots, close ups and an intimate creampie make this scene a pussy-lover’s dream.

Scene 4: Liya Silver and Christian Clay

Russian starlet Liya Silver makes her Vixen debut alongside Christian Clay in the Greek paradise of Mykonos.

It’s just the sort of eye-candy you would expect from director Julia Grandi. You’ve got marvelous scenery, an infinity pool, and a minimalist resort suite. And it doesn’t hurt to have AVN”s 2020 “Best New Foreign Starlet” as well.

The story follows the same general vacation-sex concept that most of Grandi’s films are built upon. There are numerous shots of Silver around town, meeting and flirting with Clay. The story is told by voiceover, and I appreciate the fact that Vixen did not dub Liya’s mother-tongue over. Instead, you’ve got English subtitles to translate her story.

Clay and Silver create gentle and beautiful sex. There’s nothing too porn-y about it, save for that obligatory reverse-cowgirl shot. They connect and simply make love by the pool.

There’s a sweetness to it, evidenced by the way Clay eats Silver’s pussy. He’s slow and methodical, working every detail with his tongue while keeping intense eye-contact at all times. It’ll give you chills.

Christian Clay works Silver like a sculptor, taking great care in framing and showcasing her to the viewer. In that way, Silver becomes a living Venus de Milo, a monument to natural beauty poised atop an ocean of blue.

Final Thoughts

Vixen’s “Icons 3” delivers more of the same high-quality content from the current generation of Vixen producers. There is no mistaking that Vixen style: beautiful locations, excellent cinematography and artistic filmmaking.

Although Vixen has never been particularly plot-heavy, this film thins the storytelling a bit more than usual. It’s a solid all-sex feature, but the fans seeking deeper story elements might be better served looking to content from sister-studio Deeper.

I can’t objectively fault this film in any way, but there is some subjective “it factor” that is missing. Scenes are technically beautiful and the sex is hot, but it lacks a certain level of excitement that characterizes great porno.

“Icons Vol. 3” is recommended.


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