One would be wrong, but it would be reasonable to assume that after a long day in the porn mines, my main squeeze and I would ride Go Karts or drink Merlot or something. Fools! Tonight we watched Digital Playground's "Control" and Chatsworth Pictures' "Donkey Punch". An appreciation after the gap. - G. Ponante
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The idea of Lanny Barby in a bodybag intrigued us, so "Control" was first on the menu. Director Robby D.'s high-end gonzo project opens big, with the future Vivid girl pulled from the trunk of a car in a clear plastic bag. What follows is two discs of very pretty scenes with actresses as diverse as future Wicked girl Keri Sable (now out of the industry) and Rita Galtoyano, who gives a blowjob through a cage.
Strange, though, that the makeup never ran.
Aside from a bonus scene with a (chemically-altered/really smart - we couldn't agree) Jade Hsu, "Control" seemed like a movie for tourists, like a Club Med on the edge of a dangerous place.
"Donkey Punch", on the other hand, wasn't pretty. (A donkey punch is when a fist is administered to the back of one's partner's head at the moment of ejaculation. Well, that's the classic donkey punch, anyway) It was harsh and crude and hilarious.
People like Deja Daire were treated most cruelly. Others, like Rachel Luv, looked like the Six Flags ride they were strapped into was violently disagreeing with them. There were tears that interfered with the mascara, and threats to donkey punch in retaliation.
The difference between the two movies was more than cosmetics. Both approached the dark side from different angles and both seemed to have trouble taking it seriously.
Which is probably a good thing.
· Digital Playground (digitalplayground.com)
· Chatsworth Pictures (chatsworthpictures.com)
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Previously: Robby D., Lanny Barby, and Me, Enter the MILF, Porn Valley Dispatch Archive