<![CDATA[Fleshbot: straight, russ meyer]]> http://tags.fleshbot.com/assets/base/img/thumbs140x140/fleshbot.com.png <![CDATA[Fleshbot: straight, russ meyer]]> http://fleshbot.com/tag/straight/russmeyer http://fleshbot.com/tag/straight/russmeyer <![CDATA[Zaftig Pussycat: "Voluptuous Biker Babes" Revisited]]> Carlos Batts has released "Voluptuous Biker Babes", a trippy combination of "Fear And Loathing in Las Vegas," "Priscilla, Queen of the Desert," and - I don't know - Lucha Libre that features drag queens, desert dance-offs, and the ample talents of April Flores, La Cholita, and Bunny de la Cruz along with the leaner but no less tasty Audrey Hollander and Veronique Vega.
As we mentioned last month, Batts shot the film in roughly the same area as did Russ Meyer when the latter filmed "Faster Pussycat Kill! Kill!" in 1965, and "VBB" features just as much eye candy, if not more (considering it's in color). Flores, La Cholita, and de la Cruz are trash-talking badasses who get stranded in the desert. And they must love their way home.
In their wanderings they meet psychedelic tea merchants (Otto Bauer and Audrey Hollander) and an arid extra-dry dance troupe, an encounter that leads to a wrestling match with drag queen Pa Fuschia.
Jerk-off material? Art? Way Beyond the Valley of the Dolls? You decide. In fact, why don't you decide in person? Batts and April Flores will be signing copies of "Voluptuous Biker Babes" tonight at Sunset Blvd.'s famed Book Soup between 7 and 10. · Carlos Batts (fattyd.com) · Book Soup (booksoup.com)]]>
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<![CDATA[Sexploitation Clip Of The Week: Russ Meyer's "Cherry, Harry & Raquel"]]> For this week's clip we take a dip back into the Russ Meyer catalog for a movie that we think artfully demonstrates the skill and vision that made him such a great director. The teaser is a little long, but it does provide a tidy synopsis of the entire story and all the characters, so you really do come to understand the themes and symbolism of the film as a whole. However, if you look beneath the surface and carefully examine the subtext, you can get an even deeper sense of the true message of this saga: It's about boobs. Lots and lots of giant boobs. The man was subtle, but trust us, it's there.

· "Cherry, Harry & Raquel" (1970) (imdb.com)
· Clip courtesy of Bedazzled Blue (bedazzledblue.com)

Previously: Sexploitation Clip Archive

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<![CDATA[Sexploitation Clip Of The Week: "Common Law Cabin"]]> How could we have a regular feature on the classic films of the sexploitation era and not include the work of Mr. Russ Meyer? We will never understand how just one man was able to find so many outrageously-endowed beautiful women in one lifetime without access to some form of voodoo magic. However he did it, just knowing that Russ was involved in anything makes us as excited as the announcer on this trailer who can barely contain his joy or the volume of his voice. (Warning: Dangerous cleavage levels ahead!)

· Russ Meyer's "Common Law Cabin" (1965) (imdb.com)
· Clip courtesy of Bedazzled

Previously: Sexploitation Clip Archive

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